PAGEANT
PHOTOGRAPHY
by
Michael Goldstein
This
is an image that combines techniques of leading lines, worm’s
eye views, repetitive pattern, and children with an instructor.
What else could you ask for?
The
instructor is carefully placed to fill the negative space in the
sky. Two leading lines (the beam upon which the instructor sits,
and the children on the bench) draw your eye into the image) All
the children are focussed on the instructor, which also draw the
eye to him. Getting down low, and using a 24mm lens, gives this
shot a different perspective, which makes it effective. (St.
Marie Among the Hurons, Midland, Ontario)
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Portraits
of pageant participants can often be made in “destination
specific” locations, which then “place” the image,
geographically. The advantage of the pageant environment is that
participants are willing, and have the time, to be photographed,
and will pose and place themselves where you wish. The usual
short telephoto lenses are perfect for these shots. (Fort
Niagara, Lewiston,
New York)
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Closeup
portraits are often useful for establishing mood, and for
historical detail. The antique pipe is a nice touch, but I would
have preferred that the subject was wearing more
authentic-looking glasses! The head, with the hat, was carefully
placed at an ‘intersection of thirds’ in the frame.
Use
of fill flash in this shot produces some nice highlights, in
eyes and on other reflective surfaces, and a 135mm lens got me
in close, without pushing a camera up my subject’s snoot! If
using autoexposure, be sure that you remember to remove any
filters from your lens before shooting, if you’re not using
TTL flash. (Battle of Georgian Bay, Midland, Ontario)
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Allison
and I arrived at the ‘Battle of Gettysburg’ re-enactment
site, some hours before the
battle was to take place. To our delight, we discovered
both sides were presently taking it easy in their encampments,
to which we were invited. We spent several hours with both
groups, using 50mm and wide-angle lenses, and flash fill, to
portray the environment of an army at rest.
We
were able to chat with participants, make copious notes on
various aspects of the military techniques of the day, and of
course, enjoy a different kind of photography to the usual
battle images we would later make.
The
general feeling of this image is that it’s a rebel encampment.
The kegs of homebrew ‘white lightning’ and the general air
of informality, reinforce that impression. Research indicates
that only the Confederate artillery wore the red ‘kepi’, and
so this initial impression seems to be borne out in fact.
Historical fact is sometimes challenged by these events, where
the “good ol’ boys” of both camps might be caught
photographically while visiting each other!
Incidentally,
be prepared to show a business card that states your status as a
photographer (no need to specify “pro” or “amateur”!)
This will often gain you access to areas that the tourist
will never see. (Battle of Gettysburg, Gettysburg, Pennsylvania) |
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