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Photo Wanderlust - Part VI:
Photo Shooting Strategy

by Ron Veto
 

 

 

 © Ron Veto    All rights reserved.

 

Griffith Park Observatory, Los Angeles, California
 

I didn’t have to travel far for this shot, but a shooting strategy was still in place.  I wanted to capture the image during the “magic hour” of the evening, just after the sun sets when the light is soft and beautiful. Practice balancing low light night conditions along with existing city lights for dramatic results.  A stop of F-11 for 2-5 seconds will capture light streaks from cars to add character and style.

 

 

“No place is boring, if you’ve had a good night’s sleep and a pocket full of unexposed film.”
 - Robert Adama


 

Shooting Strategy


I’ve taken you to Asian countries during my Photo Wanderlust travels, but this article will get you prepared for any city near or far.  As American Army General Eisenhower once said, “Plans are useless, but planning is indispensable”.  That saying goes hand in hand for photographers as well, so first, plan what camera equipment will best meet your needs and best suit your style of shooting.  Then, if you’re going to an unfamiliar place, be sure to acquire information about the area.  It’s all a process of discovery.  If you have a basic strategy set in place, your experiences will be much more rewarding.

 


© Ron Veto    All rights reserved.
 

Mexico: Failure to plan ahead will limit options and you may find yourself painted into a corner. 


 

My Tool Chest


Since I’m used to carrying a lot of equipment, I take a lot of equipment with me in order to meet my various styles of shooting.  If you have an extra camera, I suggest taking it with you just in case something happens to your primary camera.  Even a point and shoot means you won’t miss the shot.


Cameras

As I travel, I rig my tool chest to best suit my various photographic styles.

1.  Primary camera:  Nikon D700--a rugged full sensor 35mm camera .
 

2.  1960 Leica M-2 that features Leitz glass for black and white photos.  The rangefinder focus system makes it easy to quickly rack focus.
  

3.  “Widelux” Panoramic camera.  It’s a small 35mm camera, which exposes 1-1/2 frames per shot making it perfect for wide vista shots.  The lens housing mechanically swings left to right to fill the frame without perspective distortion.

 

Basic Lens Package 


A 9mm fisheye lens, a 20mm-F2, a 50mm-F1.2, a 105mm-F1.8, and a 300mm-EDIF-F2.8 completes the lens package.  I compliment my 300mm with a Nikon doubler which gives me an instant 600mm focal length at a two-stop loss.


The auto focus lenses are great, but too sharp for my liking.  I prefer the softer looking image created by the old school primes.  I would audition multiple lenses of various focal lengths to find the lenses that gave me the feel I liked.  Some were too green or the focus would fall off at the edges too quickly.  Each lens has its own look, so I wanted lenses that suited my taste.
 

 

© Ron Veto    All rights reserved.

 

Alaska: Stage your foreground and background, then wait for that perfect moment to snap the shot.

 

 

Having your gear handy with a full compliment of focal lengths provides the ammo needed so you can concentrate on having fun and making interesting photographs.

 

Changing Lenses Tip:  Don’t forget to always turn the camera off during any lens change.  An energized camera sensor creates static electricity and that attracts dust and dirt artifacts that will ruin all your images.  And remember, traffic on roads and people milling about creates even more dust, so back away. 


Other Accessories
 

Time exposures require stability and there are a variety of ways to keep your camera steady.  I carry a small 8” tripod for shooting from flat surfaces.  I also carry a small c-clamp with a 5/16” pin so I can quickly attach my camera body safely to objects where the tripod won’t work, such as a park bench.  And for uneven surfaces, I just grab my backpack.

I also carry a space blanket for protection from foul weather or to use as a ground cover.

 

“It is not down in any map; true places never are.” – Herman Melville


 


© Ron Veto    All rights reserved.

 

Rail Station, New Delhi, India

Look up, look down and look all around--concentrate on finding fun subjects.

 


Locations
 

Every photographer has his or her favorite locations where they feel comfortable and confident of finding good photos.  I always find interesting photo material within the city streets, along railroad tracks, at local parks, on top of and under bridges, at festivals and markets, and along a riverfront.  And another fun location is at a zoo, where the combination of children and animals makes for a fun afternoon of “shooting”.  But no matter where you are, if you really look, there will always be something to photograph.


 


© Ron Veto  All rights reserved.

Heineken Brewery, Amsterdam

Some of my favorite locations are areas with railroad tracks.  To add interest to the brewery and motion to the shot, I waited for the train and shot it using a time exposure.

 

 

I usually try to catch the sunrise with its low scraping or dramatic side light or the “magic hour” just after sunset which provides beautiful soft images.

 

By 10 o'clock in the morning the sun is high in the sky and not in general favor of photography, so if I'm traveling away from home, I'll spend the middle of the day either relaxing or going in search of new locations to prepare for my next photo adventure.
  

 


© Ron Veto  All rights reserved.
 

Below the Riksmuseum,
Amersterdam, Holland
 
It’s hard to beat the use of natural light. Awareness of light and shadows plus a bit of imagination pulls the elements of this photo together.

 

 © Ron Veto  All rights reserved.
 

Learning the suns direction and timetable is helpful in forecasting the next shot.  Then I lay in wait to let the subjects do the work. This Holyman was making his rounds by the Ganges River, Varanasi, India

 

 

 

~~~~~

 

Photo of Ron Veto
Ron Veto

I feel naked without a loaded camera in my hands. I have been handed the gift of a naturally quick eye for composition, a sense of adventure and having a healthy dose of obsession & compulsion which helps put objects in natural space for me.

 

I was given my first "Brownie" 127 camera when I was 8 years old--I found my life.  It's all about the art and passion to create.

           

The big show of “on set” film making in Hollywood has been my career playground and life long instructor in the art of photography—shooting underwater, aerial photography and camera movement, rigging and placement, Camera/Steadicam Operator (recent honor of being inducted into the Society of Camera Operators).  I learned from the masters how to control & mold artificial light, while at the same time, truly appreciating the beauty and wonder of natural light and shadows.  All has been a labor of love and “good fortune has smiled upon me”.

 

I've been serious into travel photography since age 28, after I bought my first Nikon FM (which I still use along with my Nikon D700) while on location in Hong Kong doing a Chuck Norris karate film.  I'll never forget the excitement for me--the feel of my own Nikon.

 

My career has been a split between the moving "made" shot in film and the wanderlust discovery of the still "found" shot.  To balance and respect both techniques has been my passion.  The look of a beautiful "still" image is lasting and can be introspective.  To capture and look into the soul is magical.  Torn between two lovers...

 

To learn more about Ron's esteemed career and to see
more of his still and Steadicam photos, visit his web site at...

 

 

 

 

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