|
Apogee Photo - Home |
by Ron
Veto
|
© Ron Veto All rights reserved.
Griffith Park
Observatory, Los Angeles, California I didn’t have to travel far for this shot, but a shooting strategy was still in place. I wanted to capture the image during the “magic hour” of the evening, just after the sun sets when the light is soft and beautiful. Practice balancing low light night conditions along with existing city lights for dramatic results. A stop of F-11 for 2-5 seconds will capture light streaks from cars to add character and style.
“No place is boring, if you’ve had a good night’s sleep
and a pocket full of unexposed film.”
Shooting Strategy
My Tool Chest
1.
Primary camera: Nikon D700--a rugged full sensor 35mm
camera . 2. 1960
Leica M-2 that features Leitz glass for black and white
photos. The rangefinder focus system makes it easy to
quickly rack focus. 3. “Widelux” Panoramic camera. It’s a small 35mm camera, which exposes 1-1/2 frames per shot making it perfect for wide vista shots. The lens housing mechanically swings left to right to fill the frame without perspective distortion.
Basic Lens Package
© Ron Veto All rights reserved.
Alaska: Stage your foreground and background, then wait for that perfect moment to snap the shot.
Having your gear handy with a full compliment of focal lengths provides the ammo needed so you can concentrate on having fun and making interesting photographs.
Changing Lenses Tip: Don’t forget to always turn the camera off during any lens change. An energized camera sensor creates static electricity and that attracts dust and dirt artifacts that will ruin all your images. And remember, traffic on roads and people milling about creates even more dust, so back away.
Time
exposures require stability and there are a variety of ways
to keep your camera steady. I carry a small 8” tripod for
shooting from flat surfaces. I also carry a small c-clamp
with a 5/16” pin so I can quickly attach my camera body
safely to objects where the tripod won’t work, such as a
park bench. And for uneven surfaces, I just grab my
backpack.
“It is not down in any map; true places never are.” – Herman Melville
Rail Station, New Delhi,
India
Every photographer has his or her favorite locations where they feel comfortable and confident of finding good photos. I always find interesting photo material within the city streets, along railroad tracks, at local parks, on top of and under bridges, at festivals and markets, and along a riverfront. And another fun location is at a zoo, where the combination of children and animals makes for a fun afternoon of “shooting”. But no matter where you are, if you really look, there will always be something to photograph.
I usually try to catch the sunrise with its low scraping or dramatic side light or the “magic hour” just after sunset which provides beautiful soft images.
By 10 o'clock in the morning the sun
is high in the sky and not in general favor of photography,
so if I'm traveling away from home, I'll spend the middle of
the day either relaxing or going in search of new locations
to prepare for my next photo adventure.
|
|||
|
Strategy for the Candid Shot
Bangkok, Thailand: The first piece of business is to position myself so I have a pleasing background. The background will make or break a photo.
When shooting, I try to stay low, slowly come out to get a frame or two, and then disappear for a time to let the cityscape restage itself with fresh material. Depending on my subject, I may shoot low and wide. Or, I’ll start by shooting with a long lens and then as I slowly move my position closer, I’ll change over to a 105mm portrait lens. That’s when the session may change to a more intimate setting. I truly enjoy the discovery.
Street Strategy Tips for any street, any city, & any country: It’s easy to get tunnel vision while on a photo hunt. Don’t lose sight of the dangers and potential accidents along the way. Always keep your eyes and brain on alert. By staying too long in one spot not only burns your position for the candid shot, but it also gives a thief time to study you. They will watch your every move and wait until the time is right. The hunter can quickly become the hunted. Because of your gear or your appearance you stand out from the crowd. I never want to over stay my welcome. My previous articles about security and hunting people cover this topic in more detail (see links at the end of the article).
Take the High Ground Finding visually unique angles from above is a rewarding challenge. I often look for tall buildings and approach the security staff for permission to access the roof. If I'm lucky enough to find that perfect location, I can stay for some time and not disturb anyone. Many times I show my appreciation to the guard by some small monetary reward or snack. It's always appreciated. Cities are changing fast so new locations are always there for the taking, so don't be afraid to ask.
I asked, but…. be
prepared for the unexpected! Calcutta’s massive
Howrah Railway Station is a shooters dream location. It offers a unique
grand vista of a magnificent city. The imposing bridge of the same name
spans the Hoogley River where over one million people cross each and every
day. My traveling friend and I asked a guard for roof access and off we
went. We followed him up a maze of stairs and passages to the rooftop. We
managed to get to the edge of the building and took in the visual feast
while setting up our shots. What a unique vantage point. This entire
microcosm of Indian life is on display right below me.
We stood there on the roof taking it all in when a loud voice commanded us to come to them. We had the distinct feeling that this was the end of our field trip, so I very quickly snapped off a few shots.
We walked over to the official and I politely told him we were given permission to gain roof access. It appears that the fellow who led us up to the roof was now nowhere to be found. The officer held his hands out then sternly commanded, “Deposit your cameras here!” I politely refused. Again he commanded us to hand over our gear. While he was extending his arms for our cameras, I tried to explain that we were just tourist, while always smiling and while at the same time retreating. Not wanting any further official intervention, we committed ourselves to leave the scene in a big hurry. I don't quite know or remember how we found our way back down to the street level, but we did and hastily made it the short distance to the riverbank where we quickly jumped into an outgoing riverboat taxi and made our escape across the river. I didn't care where we were going. Only that we were free with our cameras intact. Whew... There is a saying that "timing makes champions". We were very lucky to have it end there. Good memories and a few fun shots.
He who has seen one cathedral ten times has seen something; he who has seen ten cathedrals once has seen but little; and he who has spent half an hour in each of a hundred cathedrals has seen nothing at all.” – Sinclair Lewis on Sightseeing
Set a pace that gives you options and lets you have the freedom to expand without putting hard constraints on yourself. Take the time to enjoy your time.
© Ron Veto All rights reserved. Lake Rotorua, New Zealand
|
|||
|
Moving from place to place through a location requires a bit of organization and a general shooting strategy. Only then will you have a complete and organized tool chest for maximum creative freedom resulting in great photos. For me it satisfies my addiction to photography, plus it’s so much fun.
|
|||
|
Read the
Introduction...
Photo Wanderlust - Part V: "Hunting People"
Photo Wanderlust - Part VII: "Shooting Silhouettes"
|
|||
|
~~~~~
I feel naked without a loaded camera in my hands. I have been handed the gift of a naturally quick eye for composition, a sense of adventure and having a healthy dose of obsession & compulsion which helps put objects in natural space for me.
I was given my first "Brownie" 127 camera when I was 8 years old--I found my life. It's all about the art and passion to create.
The big show of “on set” film making in Hollywood has been my career playground and life long instructor in the art of photography—shooting underwater, aerial photography and camera movement, rigging and placement, Camera/Steadicam Operator (recent honor of being inducted into the Society of Camera Operators). I learned from the masters how to control & mold artificial light, while at the same time, truly appreciating the beauty and wonder of natural light and shadows. All has been a labor of love and “good fortune has smiled upon me”.
I've been serious into travel photography since age 28, after I bought my first Nikon FM (which I still use along with my Nikon D700) while on location in Hong Kong doing a Chuck Norris karate film. I'll never forget the excitement for me--the feel of my own Nikon.
My career has been a split between the moving "made" shot in film and the wanderlust discovery of the still "found" shot. To balance and respect both techniques has been my passion. The look of a beautiful "still" image is lasting and can be introspective. To capture and look into the soul is magical. Torn between two lovers...
To learn more about Ron's esteemed career
and to see
To find other articles by subject, just type the subject in the Search Box.
Apogee Photo and Apogee Photo Magazine are trademarks of Apogee Photo, Inc. © 1995-2012 Apogee Photo, Inc. All Rights Reserved.
|