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Photoshop Master
Class:
Bullet of Faith
by Jim Austin.
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Copyright © Jim Austin by Jim Austin
A bullet speeds out of a gun. Everyone knows how this sounds and how it looks. It is a standard subject in photography. It’s been captured by masters like Harold Edgarton - the father of electronic flash - and my mentor Andrew Davidhazy at MIT who caught a bullet piercing a playing card. It’s a familiar theme in photography. The camera sees faster than the eye and the idea.
Ideas evolve. They can take months, or years. This picture idea started inside a cathedral, with a digital image of a stained glass window. A medium telephoto zoom was used. Weeks later, a series of thoughts about setting the image in motion emerged. The thoughts all involved techniques from the digital toolbox: rotation, motion blurring, Gaussian blur, filters, and warping.
Time passed. Cogitation came between the computed photography and the ending concept. The window was rotated. Part of an idea emerged. A copy layer in Photoshop CS4 was filtered with the Flaming Pear Flood Filter Plug-in and left alone for awhile. Translucent motion blur on a layer created a visual sense of speed across the frame. Slowly, a picture of a stained-glass window changed from lead and glass back into a spiritual idea.
When I frame a photographic idea, I try to leave room for mystery. The faith-based title “Bullet of Faith” lets a viewer associate the picture with their own beliefs about faith.
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