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The
Strategies of Lightning Photography
by R Franklin Davis
Dancing naked to the rhythm of Thor’s hammer with your 35 mm
point-and-shoot in hand is not a prudent approach to lightning photography.
However, safety and lightning photography don’t have to be mutually exclusive.
In fact, when I’m out photographing a storm, my primary consideration is
taking care of me! Secondary to safety, my concern is how to position my camera
to enhance the composition. These two objectives can work together. All
you need to do is to remember one simple principle: let your lens do the work
for you. The following are some interwoven photo and safety tips that will help
you to enjoy lightning photography without getting zapped:
The
best location from which to photograph a storm is at a distance
greater than six miles. Positioning yourself where the storm is passing
transverse to your field of view provides a safe location to photograph and to
isolate the region of the storm where the ground stroke activity is most
concentrated. It also allows you to track the active area as the storm changes.
The use of a medium telephoto lens will allow you to compose the Lightning
Landscape and determine the degree to which the lightning flash plays a role
in the image. Wide-angle zooms in the 28-200 mm range provide excellent
flexibility for lightning photography.
Isolated
cells are the easiest and safest to photograph, and they also provide the best
photo opportunities. Embedded systems usually have multiple cells producing
lightning and are more difficult to capture. They also tend to be less
photogenic, since they're mostly gray with flat contrast.
Lightning
strikes will occur in any region in and around a storm. Typically, you'll
observe not only the strikes preceding, trailing, and within the rain shaft, but
also often in places where there is no rain. Strikes may occur from the upper
regions of the storm and travel outside of the cell to the ground. Although you
observe that the lightning activity is happening only around the rain shaft some
six miles away, you shouldn't position yourself under the cloud. Relocate to a
safe distance.
Always
be aware of objects around you that may attract or conduct lightning. Fences and
overhead lines dominate the landscape. Don't set your camera closer than fifty
feet from a pole or a fence line--even if the storm appears to be more than six
miles away.
Photographing
advancing storms is not only dangerous, but also difficult to do since the area
of lightning activity broadens as the storm approaches. The area of the storm
where the lightning activity is striking changes constantly as the storm
develops or dissipates. You should keep a close eye on the storm development
to maximize both your photographic opportunities and your safety.
At
distances closer than six miles from the storm, you should limit your
photographic activities to shots taken from indoors or from within a
metal-bodied automobile. The use of a windowpod is recommended when you're
photographing from within a vehicle. Avoid photographing storms that are close.
Again, the closer you are, the more difficult it will be for you to predict
where the lightning wll strike. It's best for you to relocate to a safe area.
Remember, distance equals safety, and distance equals the best photo
opportunity. Let
your lens do the work!
To find out more about daytime lightning photography using the Lightning Trigger visit http://www.lightningtrigger.com
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