{"id":1002,"date":"2016-06-27T14:07:51","date_gmt":"2016-06-27T14:07:51","guid":{"rendered":"http:\/\/www.apogeephoto.com\/?p=1002"},"modified":"2016-06-30T14:29:51","modified_gmt":"2016-06-30T14:29:51","slug":"making-photo-portraits-people-will-notice-part-2","status":"publish","type":"post","link":"https:\/\/www.apogeephoto.com\/making-photo-portraits-people-will-notice-part-2\/","title":{"rendered":"Making Photo Portraits People Will Notice \u2013 Part 2"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/Heloine-2S.jpg\" alt=\"Black and white profile photo portrait of Helo\u00edne Mangerona Moreno leaning on an old truck by Allen Moore.\" width=\"370\" height=\"548\" border=\"0\" \/><\/p>\n<p>Off-camera attention can tell a different story. (photo <strong>of Helo\u00edne<\/strong><strong>: Allen Moore<\/strong><\/p>\n<p>In <strong><a title=\"Making Photo Portraits People Will Notice \u2013 Part 1\" href=\"http:\/\/www.apogeephoto.com\/making-photo-portraits-people-will-notice-part-1\/\" target=\"_blank\"> Part 1<\/a><\/strong> we learned a secret to good portraits: instead of \u2018taking\u2019 a portrait, <em>you \u2018make\u2019 a portrait.<br \/>\n<\/em><br \/>\nAnd we learned some fundamentals to creating successful portraits, along with how to work with the subject, and the basic elements of composition<em>.<\/em><\/p>\n<p>Let\u2019s put what we\u2019ve learned into play and add some more ideas for creating great portraits. Time to break the rules!<\/p>\n<p><strong>\u201cSay, Cheese!\u201d and Pass the Bacon<\/strong><\/p>\n<p>One secret to making interesting portraits is to get past the Smiling Lockjaw Syndrome \u2013 commonly seen in beauty pageants \u2013 and reach into your subject\u2019s personality to bring out a variety of emotions. This is sometimes difficult to do if you are working with a reserved, reticent subject. It takes practice \u2013 sometimes a lot of practice \u2013 to consistently bring her personality to the surface where it can be observed by your camera. This is a good reason to start with family and friends, with whom you (presumably) already have a relationship.<\/p>\n<p>To make a magic portrait, you need to introduce \u2013 and capture \u2013 an element of drama (bacon, anyone?). Drama need not be serious; it can be funny or whimsical \u2013 really, anything out of the ordinary will do.<\/p>\n<p>For this series of basic head-and-shoulders portraits, we\u2019ve called upon our good friend Julie, who is not a professional model.<\/p>\n<p>OK, a smiling face is pleasant enough, and can generate good will. But what is it saying? That Julie\u2019s a good girl? Or is she slightly mischievous? How about adding a little goofiness? Yes, it takes a special relationship to encourage her to \u201clet go\u201d and have some fun. With some subjects, it\u2019s just not possible. Take a deep breath and consider other options.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/Julie-3S-edit.jpg\" alt=\"Photo portrait of Nicole Car lifting up her hair and having fun by Allen Moore.\" width=\"320\" height=\"432\" border=\"0\" \/><\/p>\n<p><strong>When your subject is comfortable enough to clown around, magic can happen.<br \/>\n(photo: Allen Moore)<\/strong><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/Julie-4S.jpg\" alt=\"Photo portrait of Nicole Car portraying deep thought by Jean Lua.\" width=\"320\" height=\"432\" border=\"0\" \/><\/p>\n<p><strong>If your subject can think about something other than having her picture taken, then you can capture a deeper part of her personality.<br \/>\n(photo: Jean Lua)<\/strong><\/p>\n<p>So, let\u2019s encourage Julie to engage in some deep thought and reflection. We can do this by asking her to think about something that\u2019s happened in her life; it could be happy or sad \u2013 depending on the emotion you wish to elicit. Or we could ask Julie to think about something that\u2019s upcoming, something exciting, like a night on the town. \u201cWhat would you do to get ready, Julie?\u201d By asking your subject to \u201cact out\u201d what they\u2019re thinking, you can see body movements that are often unconscious, yet reveal a facet of her personality that you just won\u2019t see in a stiffly-posed portrait sitting.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/Julie-5S.jpg\" alt=\"Photo portrait of Nicole Car acting out by Jean Lua.\" width=\"640\" height=\"431\" border=\"0\" \/><\/p>\n<p><strong>\u201cActing out\u201d can help project emotion. (photo: Jean Lua)<\/strong><\/p>\n<p>Now, let\u2019s bring the whole body into the picture. By using your subject\u2019s entire body as your palette, you greatly increase the range of possible reactions from your viewers \u2013 you\u2019ve got more \u201creal estate\u201d to work with. This is really the basis for a lot of modern fashion photography. By using body geometry and angles not normally seen in a formal \u201csitting portrait,\u201d you immediately engage the viewer because\u2026well, it\u2019s different. While her pose is rock-steady, the expression on Helo\u00edne\u2019s face is ambiguous enough that you begin to wonder, \u201cWhat is she thinking about?\u201d Nailed! You\u2019ve drawn the viewer into the picture.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/Heloine-0S.jpg\" alt=\"Black and white profile photo portrait of Helo\u00edne Mangerona Moreno in pink lingerie and leaning on elbows by Allen Moore.\" width=\"320\" height=\"450\" border=\"0\" \/><\/p>\n<p><strong>Full-body portraits give you more to work with.<br \/>\n(photo of Helo\u00edne: Allen Moore)<\/strong><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/SandraS.jpg\" alt=\"Sexy, fun photo portrait of Sandra Vivian Wilson by Allen Moore.\" width=\"320\" height=\"450\" border=\"0\" \/><\/p>\n<p><strong>Sandra is a naturally warm and engaging girl. She\u2019s also a grandmother of three.<br \/>\n(photo: Allen Moore)<\/strong><\/p>\n<p>With Sandra, on the other hand, there is no question about what she\u2019s feeling. She\u2019s happy, warm and inviting and immediately makes the viewer feel comfortable. She\u2019s using her whole body (even the parts you can\u2019t see) to draw up that wellspring of emotion and project it forward.<\/p>\n<p><strong><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/RonS.jpg\" alt=\"Photo portrait of Captain Ron on his boat with reflections in his sunglasses by Allen Moore.\" width=\"320\" height=\"431\" border=\"0\" \/><\/strong><\/p>\n<p>Unusual angles command attention. (photo: Allen Moore)<\/p>\n<p><strong>Who Made That Rule?<\/strong><\/p>\n<p>There\u2019s nothing that says that the subject of a portrait must look at the camera. In fact, looking off-camera can sometimes tell a more compelling story than staring straight at you. In the lead photo above, Helo\u00edne has spotted something that we can\u2019t see, yet has caught her attention. We are left wondering, what does she see. Again, we are drawn into the story. This is an example of a fashion illustration technique, where we are using half of Helo\u00edne\u2019s body to create the portrait, rather than concentrating on just her face.<\/p>\n<p>Ron, The Salty Sea Cap\u2019n uses a completely different technique. The low angle implies power and strength, and gives the impression that he is quite tall (he is, actually). He knew I was taking photos of him, yet he carried on about his business without further concern. His smile says that he is relaxed and comfortable. Quite often, unanticipated composition elements add a unique feature to the story. In this case, his mirrored sunglasses reveal exactly what he\u2019s seeing, almost as if with a wide angle lens.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u201cLights, Camera, Action!\u201d<\/strong><\/p>\n<p>Portraits don\u2019t always have to be seated, or even standing. Quite often, you can serve up another portion of bacon\u2026er, drama, by doing something unusual or even in motion. Nicole demonstrates two entirely different poses that present her in very different ways. We\u2019ve put her in a beautiful, short cocktail dress and then had her crouch. The viewer\u2019s eye naturally follows her body contour as an \u201cs\u201d shape. We\u2019ve broken a rule by having her assume a position rarely seen in portraiture.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/Nicole-1S.jpg\" alt=\"Full body portrait of Nicole Car in a hot pink cocktail dress by Allen Moore.\" width=\"320\" height=\"464\" border=\"0\" \/><\/p>\n<p><strong>Offbeat, quirky poses can sometimes help a model relax. (photo: Allen Moore)<\/strong><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.apogeephoto.com\/wp-content\/uploads\/2016\/april2014\/Allen-Jean_photos2\/Nicole-2S.jpg\" alt=\"Full body portrait showing action of Nicole Car in a mid-length orange cocktail dress by Allen Moore.\" width=\"320\" height=\"464\" border=\"0\" \/><\/p>\n<p><strong>Action compels attention.<br \/>\n(photo: Allen Moore)<\/strong><\/p>\n<p>In the second instance, Nicole is prancing in a stance reminiscent of a thoroughbred race horse. Her easy, fluid gait is poetry in motion, and exudes confidence and self-assuredness. (It will take some confidence to do this in 4-inch stiletto heels!) Very often, motion \u2013 whether stopped by a fast shutter speed or implied \u2013 can provide an element of surprise that catches your viewer\u2019s interest.<\/p>\n<p>by Allen Moore and Jean Lua<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Off-camera attention can tell a different story. (photo of Helo\u00edne: Allen Moore In Part 1 we learned a secret to good portraits: instead of \u2018taking\u2019 a portrait, you \u2018make\u2019 a <a class=\"mh-excerpt-more\" href=\"https:\/\/www.apogeephoto.com\/making-photo-portraits-people-will-notice-part-2\/\" title=\"Making Photo Portraits People Will Notice \u2013 Part 2\">[read more]<\/a><\/p>\n<\/div>","protected":false},"author":2,"featured_media":1003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Making Photo Portraits People Will Notice \u2013 Part 2 - Apogee Photo Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.apogeephoto.com\/making-photo-portraits-people-will-notice-part-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Making Photo Portraits People Will Notice \u2013 Part 2 - Apogee Photo Magazine\" \/>\n<meta property=\"og:description\" content=\"Off-camera attention can tell a different story. 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